This is Possession audiobook (please share your thoughts by leave comments and rate this post. Or share more information of this audios in the comment section. Thank @Diana for sharing this audios). Lets play Possession full audios free online in the audio player below.
The audiobook version of Possession is a faithful adaptation of the printed text. The narration is clear and well-paced, and the two narrators do an excellent job of bringing the characters to life. Virginia McKenna narrates the sections of the novel that are written in the voice of the Victorian poet, Randolph Henry Ash, while Samuel West narrates the sections that are written in the voice of the modern-day academic, Roland Michell. The two narrators have very different styles, which helps to differentiate the two voices and make it easier for the listener to follow the story.
One of the strengths of the audiobook version of Possession is the way in which the narrators bring the characters to life. Virginia McKenna’s narration of Ash’s poetry is particularly impressive. She captures the rhythm and cadence of the poetry, and her delivery is both powerful and moving. Samuel West’s narration of Roland Michell is also excellent. He captures the character’s intellectual curiosity and his emotional vulnerability, and his delivery is both engaging and convincing.
Another strength of the audiobook version of Possession is the way in which it captures the novel’s complex structure. The novel is divided into four parts, each of which is narrated by a different character. The audiobook version does an excellent job of differentiating between the different voices and making it clear who is speaking at any given time. This is particularly important in the sections of the novel that are written in the voice of the Victorian characters, as the language and style of these sections is very different from that of the modern-day sections.
However, there are also some weaknesses to the audiobook version of Possession. One of the main weaknesses is that it can be difficult to follow the novel’s intricate plot and structure through audio alone. The novel contains a large number of characters, and the plot is complex and multi-layered. While the audiobook version does an excellent job of differentiating between the different voices, it can still be difficult to keep track of all the different characters and their relationships to one another.
Another weakness of the audiobook version of Possession is that it can be difficult to appreciate the novel’s use of language and style. A.S. Byatt is known for her rich and complex prose, and this is particularly evident in Possession. While the narrators do an excellent job of delivering the dialogue and narration, it can be difficult to appreciate the full beauty of the language and style through audio alone. This is particularly true of the sections of the novel that are written in the voice of the Victorian characters, as the language and style of these sections is very different from that of the modern-day sections.
Overall, the audiobook version of Possession is a strong adaptation of the printed text. The narrators do an excellent job of bringing the characters to life, and the audiobook captures the novel’s complex structure. However, it can be difficult to follow the novel’s intricate plot and structure through audio alone, and it can be difficult to appreciate the full beauty of the language and style through audio alone. For these reasons, I would recommend that readers also read the printed text of Possession in order to fully appreciate the novel’s complexity and beauty.